Saturday, January 26, 2019

Free Download Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys’ Love Manga, and Other Works by Female “Cross-Voyeurs” in the U.S. Academic Discourses PDF

Get Download Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys’ Love Manga, and Other Works by Female “Cross-Voyeurs” in the U.S. Academic Discourses PDF

ByCarola Katharina Bauer

Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys’ Love Manga, and Other Works by Female “Cross-Voyeurs” in the U.S. Academic Discourses

Total Download

8

“To read without reflecting is like eating without digesting.” –Edmund Burke

Synopsis

Despite the fact that there actually exists a large number of pornographic and romantic texts about male homosexuality consumed and produced by American women since the 1970s, the |abnormality| of those female cross-voyeurs is constantly underlined in U.S. popular and academic culture. As the astonished, public reactions in the face of a largely female (heterosexual) audience of “Brokeback Mountain” (2005) and “Queer as Folk” (2000-2005) have shown, a woman's erotic/romantic interest in male homosexuality is definitely not as accepted as its male counterpart (men consuming lesbian porn). In the academic publications on female cross-voyeurs, the application of double standards with regard to male/female cross-voyeurism is even more obvious. As Karen Hellekson and Kristina Busse note in their |Introduction| to “Fan Fiction and Fan Communities in the Internet” (2006), slash fiction – fan fiction about male homosexual relationships mainly produced and consumed by women – has stood in the center of fan fiction studies so far, despite being merely a subgenre of it. The reason for this seems to be an urge to explain the underlying motivations for the fascination of women with m/m romance or pornography within the academic discourse – a trend which differs completely from the extremely under-theorized complex of men interested in |lesbians.| It is this obvious influence of conventional gender stereotypes on the perception of these phenomena that provokes me to examine the way in which the works of female cross-voyeurism and their consumers/producers are conceptualized in the U.S. scholarly accounts. In many ways, this thesis explores unknown territories and respectively tries to take a closer look at academic problems that have not been adequately addressed yet.

No comments:

Post a Comment